Alison Lester: This was my first cover for 'Magic Beach' - Magic Beach spelt in shells - and I actually did this as coloured artwork on
watercolour paper but I've lost it and I just loved it, like, there were little purple cowries and little green starfish and
orange shells and bits of seaweed. At this stage the whole book was finished and I'd taken all the artwork and the cover into
the publisher. I live out in the country still, so I'd driven into the city and we were all standing around, the editor and
the designer and me, going, 'Oh, wow, this is going to be such a nice cover. It's going to be a lovely book. Let's go and
have lunch somewhere nice.' And just then Barry walked past, who was one of the sales team and he said, 'Oh, are you using
that for the cover?' And we went, 'Yeah, what do you mean?' And he said, 'I've just had a really hard time selling a book
that just had, like, words on the cover without actual pictures, I really don't think you should use that cover.' So we had
to kind of think, well, he knows what he's talking about, we should be listening to him. So I went home a bit disappointed
and came up with this cover, where the kids were playing in the middle of a circle and there was room to put 'Magic Beach'
and my name and all the imaginary stuff was happening around the outside. And once again I'd drive back into the city pretty
pleased that I'd got it done and I showed it to my editor, who's very tall and skinny and British and she has, you know people
who leave big gaps in their talk so you get a bit nervous and you feel like you have to fill it in? She looked at it for a
long time and she said, 'Well, it's very nice but we can't possibly use it' and I went 'Why not?' and she went and got 'The
Journey Home', which is a book that I'd done the year before, off the shelf and pointed out that 'The Journey Home' had a
mermaid in this corner, a pirate in this corner and a knight in this corner, so I was kind of really just doing the same thing
again. So, I had to go home again and keep trying for the cover. Had this idea where it was like a life preserver. It looked
too English; it looked more like 'Tim Goes to the Lighthouse'. And then here came back to the idea of a circle and I started
playing around with all different patterns of shells and up here thought 'Aha, I know what I could do, I could have a picture
from inside the book and just a border of shells around the outside.' And I felt so stupid that it'd taken me weeks and weeks
to come up with that idea. And then at the very last minute the designer - I made the border of shells - she said 'I think
it needs some colour behind it, they're just kind of falling off the white.' So I did a blue background and that was the book,
the cover that we got. And this is a new edition, you can see we've changed it a little bit, like, the sky's gone, I think,
hasn't it? We put sparkles on so, and a different font so it looks a little bit more modern.