Characterisation

Characterisation

Viewing guide

  • Think about the characters you remember from novels, movies or TV shows. What makes your favourites easy to remember? Did you like or dislike them as characters?

  • What things make a character memorable?

  • Can you think of people in your life who inspire the characters you include in your writing?

  • Where do you usually get ideas for creating your characters?

  • Listen out for the ways in which Nicki explains how she got the ideas for her characters.

  • Why do you think Nicki was able to know the, ‘…characters intimately…’ in The Great Gatsby after reading the first time?

  • Listen out for Nicki’s description, ‘larger than life personalities’. What do you think she may means by this?

  • What characteristics of the seahorse did Nicki focus on to develop her character of Gatsby?

  • What do you think Nicki means when she describes the seahorse as, ‘slightly wrong’?

  • How do flaws or ‘slightly wrong’ aspects in characters make them more interesting or appealing?

  • Are your favourite characters perfect or ‘slightly wrong’?

Interviewer: Your Gatsby character is a seahorse and Daisy is a flighty bird. How did the ideas for your characters come about?

Nicki Greenberg: The ideas for the characters was the first thing that I worked on. From the first time I read the book I felt that I knew the characters intimately, it was as almost as though they were people that I'd interacted with, that I knew. I'd thought about them for years but I realised I'd never actually thought to myself what they looked like as humans even though I felt that I knew them intimately. I didn't think, was Daisy a blonde or a brunette? When I started thinking about doing this adaptation I wanted to have representations that showed those larger than life personalities. Something that went almost beyond the human in Fitzgerald's characters. So, I created these creatures whose physical form, every aspect of their shape shows that personality. Gatsby for example looks like a seahorse. Gatsby is that mysterious, enigmatic creature who sort of cobbled himself together from nothing, presented himself as he'd like to appear and he's made largely of lies. And the seahorse to me looks like a beautiful but preposterous creature that's been patched together by a mad inventor. It looks gorgeous and glittering but also slightly wrong and this is really what Gatsby is like.

Interviewer: What other adaptations would you consider doing?

Nicki: Well, I'm working on 'Hamlet' at the moment. Just for something short, sweet and cheerful. Hamlet's going to be an even longer work than Gatsby. It'll be about 400 pages and it will look quite different. But that's a very large, absorbing piece of work.

Videos

Nicki’s inspiration

Nicki’s inspiration

Nicki’s writing

Nicki’s writing

Characterisation

Characterisation

Design and layout

Design and layout

Nicki’s advice

Nicki’s advice

Nicki reads

Nicki reads